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The Wall Street Publication > Blog > U.S > Tom Stoppard dies; wrote brain-teasing performs and flicks together with ‘Brazil,’ ‘Coast of Utopia,’ ‘The Real Thing’
U.S

Tom Stoppard dies; wrote brain-teasing performs and flicks together with ‘Brazil,’ ‘Coast of Utopia,’ ‘The Real Thing’

Editorial Board Published November 29, 2025
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Tom Stoppard dies; wrote brain-teasing performs and flicks together with ‘Brazil,’ ‘Coast of Utopia,’ ‘The Real Thing’
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By JILL LAWLESS | Related Press

LONDON (AP) — British playwright Tom Stoppard, a playful, probing dramatist, has died. He was 88.

In an announcement Saturday, United Brokers stated Stoppard died “peacefully” at his residence in Dorset in southern England, surrounded by his household.

“He will be remembered for his works, for their brilliance and humanity, and for his wit, his irreverence, his generosity of spirit and his profound love of the English language,” they stated. ”“It was an honor to work with Tom and to know him.”

The Czech-born Stoppard was usually hailed as the best British playwright of his era and was garlanded with honors, together with a shelf stuffed with theater gongs.

His brain-teasing performs ranged throughout Shakespeare, science, philosophy and the historic tragedies of the twentieth century. 5 of them gained Tony Awards for finest play: “Rosencrantz and Guildenstern Are Dead” in 1968; “Travesties” in 1976; “The Real Thing” in 1984; “The Coast of Utopia” in 2007; and “Leopoldstadt” in 2023.

He gained an Academy Award for the screenplay of 1998’s “Shakespeare In Love.”

Stoppard biographer Hermione Lee stated the key of his performs was their “mixture of language, knowledge and feeling. … It’s those three things in gear together which make him so remarkable.”

The author was born Tomás Sträussler in 1937 to a Jewish household in Zlín in what was then Czechoslovakia, now the Czech Republic. His father was a physician for the Bata shoe firm, and when Nazi Germany invaded in 1939 the household fled to Singapore, the place Bata had a manufacturing facility.

In late 1941, as Japanese forces closed in on town, Tomas, his brother and their mom fled once more, this time to India. His father stayed behind and later died when his ship was attacked as he tried to go away Singapore.

In 1946 his mom married an English officer, Kenneth Stoppard, and the household moved to threadbare postwar Britain. The 8-year-old Tom “put on Englishness like a coat,” he later stated, rising as much as be a quintessential Englishman who cherished cricket and Shakespeare.

He wrote performs for radio and tv together with “A Walk on the Water,” televised in 1963, and made his stage breakthrough with “Rosencrantz and Guildenstern Are Dead,” which reimagined Shakespeare’s “Hamlet” from the point of view of two hapless minor characters. A mixture of tragedy and absurdist humor, it premiered on the Edinburgh Fringe Pageant in 1966 and was staged at Britain’s Nationwide Theatre, then run by Laurence Olivier, earlier than shifting to Broadway.

A stream of exuberant, modern performs adopted, together with meta-whodunnit “The Real Inspector Hound” (first staged in 1968); “Jumpers” (1972), a mix of bodily and philosophical gymnastics, and “Travesties” (1974), which set intellectuals together with James Joyce and Vladimir Lenin colliding in Zurich throughout World Battle I.

Musical drama “Every Good Boy Deserves Favor” (1977) was a collaboration with composer Andre Previn a couple of Soviet dissident confined to a psychological establishment — a part of Stoppard’s lengthy involvement with teams advocating for human rights teams within the Soviet Union and Jap Europe.

He usually performed with time and construction. “The Real Thing” (1982) was a poignant romantic comedy about love and deception that featured performs inside a play, whereas “Arcadia” (1993) moved between the fashionable period and the early nineteenth century, the place characters at an English nation home debated poetry, gardening and chaos principle as destiny had its method with them.

“The Invention of Love” (1997) explored classical literature and the mysteries of the human coronary heart via the lifetime of the English poet A.E. Housman.

Stoppard started the twenty first century with “The Coast of Utopia” (2002), an epic trilogy about pre-revolutionary Russian intellectuals, and drew on his personal background for “Rock’n’roll” (2006), which contrasted the fates of the Sixties counterculture in Britain and in Communist Czechoslovakia.

“The Hard Problem” (2015) explored the mysteries of consciousness via the lenses of science and faith.

Stoppard was a powerful champion of free speech who labored with organizations together with PEN and Index on Censorship. He claimed to not have sturdy political beliefs in any other case, writing in 1968: “I burn with no causes. I cannot say that I write with any social objective. One writes because one loves writing, really.”

Some critics discovered his performs extra intelligent than emotionally partaking. However biographer Lee stated lots of his performs contained a “sense of underlying grief.”

“People in his plays … history comes at them,” Lee stated at a British Library occasion in 2021. “They turn up, they don’t know why they’re there, they don’t know whether they can get home again. They’re often in exile, they can barely remember their own name. They may have been wrongfully incarcerated. They may have some terrible moral dilemma they don’t know how to solve. They may have lost someone. And over and over again I think you get that sense of loss and longing in these very funny, witty plays.”

That was very true of his late play “Leopoldstadt,” which drew on his family’s story for the story of a Jewish Viennese household over the primary half of the twentieth century. Stoppard stated he started pondering of his private hyperlink to the Holocaust fairly late in life, solely discovering after his mom’s loss of life in 1996 that many members of his household, together with all 4 grandparents, had died in focus camps.

“I wouldn’t have written about my heritage — that’s the word for it nowadays — while my mother was alive, because she’d always avoided getting into it herself,” Stoppard informed The New Yorker in 2022.

“It would be misleading to see me as somebody who blithely and innocently, at the age of 40-something, thought, ‘Oh, my goodness, I had no idea I was a member of a Jewish family,’” he stated “Of course I knew, but I didn’t know who they were. And I didn’t feel I had to find out in order to live my own life. But that wasn’t really true.”

“Leopoldstadt” premiered in London at the beginning of 2020 to rave opinions; weeks later all theaters had been shut by the COVID-19 pandemic. It will definitely opened in Broadway in late 2022, happening to win 4 Tonys.

Dizzyingly prolific, Stoppard additionally wrote many radio performs, a novel, tv sequence together with “Parade’s End” (2013) and lots of movie screenplays. These included dystopian Terry Gilliam comedy “Brazil” (1985), Steven Spielberg-directed struggle drama “Empire of the Sun” (1987), Elizabethan romcom “Shakespeare in Love” (1998) — for which he and Marc Norman shared a finest tailored screenplay Oscar — code breaking thriller “Enigma” (2001) and Russian epic “Anna Karenina” (2012).

He additionally wrote and directed a 1990 movie adaptation of “Rosencrantz and Guildenstern are Dead,” and translated quite a few works into English, together with performs by dissident Czech author Václav Havel, who turned the nation’s first post-Communist president.

He was knighted by Queen Elizabeth II in 1997 for his companies to literature.

He was married thrice: to Jose Ingle, Miriam Stern — higher often known as the well being journalist Dr. Miriam Stoppard — and TV producer Sabrina Guinness. The primary two marriages led to divorce. He’s survived by 4 kids, together with the actor Ed Stoppard, and a number of other grandchildren.

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