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The Wall Street Publication > Blog > World > The Abandons evaluation: New Netflix western is not any Yellowstone, however Gillian Anderson shines
World

The Abandons evaluation: New Netflix western is not any Yellowstone, however Gillian Anderson shines

Editorial Board Published December 4, 2025
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The Abandons evaluation: New Netflix western is not any Yellowstone, however Gillian Anderson shines
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Who knew Taylor Sheridan‘s titan reign at Paramount was going to be such a catastrophe for Netflix? Nicely, nearly everyone – and the brand new western collection The Abandons utterly proves that.

Let’s set the scene. As an alternative of the standard Kevin Costner-style male dominated surroundings, two matriarchs rule this model of the Wild West. Rich tyrant Constance Van Ness (Gillian Anderson) guidelines the city of Angel’s Ridge with an iron fist, decided to regulate each final inch of it.

Sadly for her, poor rancher Fiona (Lena Headey) is a girl who stands her floor. She’s preventing to maintain her discovered household’s ranch of their palms, leading to a deadly conflict between the 2 ladies. Or a ‘mother-off’, as the children on TikTok may say.

It feels like an almighty spectacle, and in some respects it’s. The motion is large scale on an enormous price range, the ensemble is absolutely invested and the manufacturing of all seven episodes is completely excellent.

However then there’s the overarching storyline, and the general impact. Whenever you’re releasing a western collection within the twenty first century, it would naturally be in comparison with ‘Sheridanverse’ juggernauts like Yellowstone, Landman and 1923. If you happen to watch all of them and keep in mind The Abandons, I’d be very stunned.

Right this moment’s greatest Netflix offers

The Abandons is cursed by an surroundings method out of Netflix’s management

The Abandons | Official Trailer | Netflix – YouTube
The Abandons evaluation: New Netflix western is not any Yellowstone, however Gillian Anderson shines

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If any essential streamer or broadcaster releases a western today, we’re watching it with intense scrutiny. A decade in the past, no one would have batted an eyelid, however the style has been single-handedly resurrected by Sheridan and Paramount’s partnership. As he continues to churn out smash hit exhibits, that doesn’t actually go away room for anybody else.

For Netflix, which means any content material that isn’t an automated smash hit is prone to be forgotten, and I feel The Abandons falls into this class. It’s had extra success with new western-romance exhibits like Ransom Canyon, and I feel if the streamer needs to be an trade chief within the style, that’s the place it ought to direct its efforts.

This makes it sound like The Abandons is completely dreadful, and it’s something however. Nonetheless, it doesn’t stray to removed from “fine”. Each ingredient of its composition is strong and delivers what it must, however distinctive? Memorable? I’m not so certain about that.

A part of the issue is because of how the overarching storyline unfolds. In episode 1, we’re thrown right into a myriad of plots that aren’t correctly defined – and I don’t imply that we should always naturally be stored in suspense, like a homicide thriller.

For instance, Fiona comes from Eire and has managed to congregate a discovered household on the Abandons ranch over the course of some years. How she received to the US, and the way all of them discovered one another, turns into convoluted too shortly.

I’m all for a little bit of “show don’t tell,” however I want sufficient of an understanding to full sink my enamel into the western phantasm. As an alternative, I’m flailing round like a bystander caught in the course of a gunslinging duel. This impact continues over the collection, and that’s not wonderful incentive to maintain on binging.

Gillian Anderson and Lena Headey mom the home down

Constance Van Ness and her sons ride horses into town

This picture alone received me to tune in. (Picture credit score: Netflix)

Nonetheless, it’s not all doom and gloom – let’s do my favourite factor on this planet and discuss Gillian Anderson. I don’t suppose that is her greatest position of the yr (that may be in Trespasses on Channel 4 within the UK), however she by no means seems a nasty efficiency. Clearly, as a result of she’s Gillian Anderson.

Constance Van Ness is all the pieces you need in an archetypal villain, and stays calculated, chilly and merciless in each resolution she makes. She’s fairly actually on her excessive horse right here, metaphorically (and typically bodily) kicking each particular person and mutt who dares to get in her method. For a Gillian Anderson fan, it’s all the pieces that you possibly can presumably need, and I see new YouTube fan edits in her future.

In fact, Lena Headey isn’t far behind Anderson. Fiona is as tenacious as she is decisive, virtually single-handedly driving the plot ahead with harmful inciting incidents and turning factors. On the identical time, she’s guarded and elusive, and the urge to be taught extra about her turns into overbearing. Scenes between the 2 are literally few and much between, however once they occur, they’re golden.

Clearly, something these two are in mechanically holds extra weight, however to say the nice in The Abandons rests solely on their shoulders isn’t truthful. Their ensemble forged is powerful, and the ranch, Angel’s Ridge and the pure countryside magnificence are virtually all characters in their very own proper.

I don’t suppose the brand new Netflix western would be the most satisfying TV binge this December, however you gained’t be losing your time by watching, both. It’s definitely a price range model of a Taylor Sheridan present (metaphorically talking, not in manufacturing worth), however should you’re a fan of our main girls, The Abandons is a slam dunk.

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