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The Wall Street Publication > Blog > Politics > Netflix and the insufferable victimhood of MAGA
Politics

Netflix and the insufferable victimhood of MAGA

Editorial Board Published October 6, 2025
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Netflix and the insufferable victimhood of MAGA
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So that you in all probability haven’t heard, however MAGA (with a bigoted help from Elon Musk) is all up in arms over “wokeness” at Netflix, and right-wingers have even launched a boycott.

The streaming service’s crime? Some previous youngsters reveals that dared function transgender characters.

Musk, the world’s richest man who publicly disowned his personal transgender daughter, has tweeted about Netflix a number of occasions. One rant whined that “Netflix is deliberately choosing to pay people to create sexualized content for children” whereas one other decried a “transgender woke agenda” and demanded that folks “Cancel Netflix for the health of your kids.”

Rattling. I had two youngsters who grew up watching Netflix, and neither one ended up trans. 

Associated | Conservatives are whining a few Netflix cartoon—sure, actually

Conservatives love to speak about parental accountability, nevertheless it’s nowhere to be discovered right here. If the presence of a trans character on display screen is so horrifying, mother and father can simply … not let their youngsters watch. As a substitute, MAGA world goes straight to the grievance machine, whipping up boycotts, inventing rumors (no, Netflix hasn’t employed Stephen Colbert, although that might be implausible), and crying about co-founder Reed Hastings donating to Democrats.

After which, to justify their hysteria, they unfold memes like this:

So let’s put these claims to the take a look at. Listed below are the precise high 10 motion pictures streaming on Netflix worldwide proper now—choose for your self how a lot “woke social engineering” you may actually discover.

“KPop Demon Hunters”: This animated present depicts a Ok-pop woman band kicking ass in opposition to demons. These girls undoubtedly have “the balls,” which apparently offends conservatives. Additionally, the animation is implausible, and the music is devilishly catchy. I hated that I appreciated it. This film is a world sensation. Woke. 

“Ruth & Boaz”: “A talented singer leaves the Atlanta music scene and starts over in small-town Tennessee, where she finds love and new purpose but can’t escape the past.” Black leads, with a minimum of one white villain. Cue MAGA meltdown.

“The Wrong Paris”: “Dawn thinks she’s joining a dating show in Paris, France, only to land in Paris, Texas. She has an exit plan — until sparks fly with the cowboy bachelor.” White lady falls for a white male cowboy in Texas, full with nation music. Completely MAGA-friendly—besides there’s one Black supporting character, so verdict: woke.

“Man on Fire”: “Hired to guard a young girl in Mexico City, a retired CIA operative with a dark past will stop at nothing to rescue her from a kidnapping ring.” Denzel Washington. Beloved international star. Villains are Mexican, making an attempt to kidnap white woman. Needs to be MAGA-approved, however nope—Black heroes are woke.

“Sonic the Hedgehog 3”: “High-speed heroes Sonic, Tails and Knuckles barrel into chaos when Shadow, a supercharged rival, sets a plan in motion that could destroy the planet.” So cartoon critters save the world. Human sidekick is white, villain is an (precise) alien, and apparently unlawful. No sexualized youngsters in sight. In all probability secure?

“Seventh Son”: “In the 18th century, apprentice exorcist Tom Ward is the linchpin in a battle between good and evil when imprisoned witch Mother Malkin escapes.” White dude exorcist fights demons. The villain is a white witch who in all probability loves yoga and helps reproductive freedom. I believe we’re good right here. 

“San Andreas”: Dwayne “The Rock” Johnson saves folks from an earthquake. On the plus aspect, MAGA would seemingly cheer seeing Los Angeles crumble. However he’s half Black, half Samoan, so that is woke.

“28 Years Later”: Zombie apocalypse. Principally white forged, however they’re being eaten alive. Jury’s out.

“The Curse of La Llorona”: This one attracts from Latin American folklore. The main points fluctuate by nation, however the story normally facilities on a girl who, in grief and rage after being deserted, drowns her youngsters. Realizing the horror of what she’s completed, she drowns herself too, turning into a ghost cursed to wander the earth trying to find her misplaced youngsters and luring unsuspecting males to their deaths. So we’ve bought a Mexican lady because the villain of a horror story—one thing you’d suppose would line up with MAGA’s cultural anxieties. However nope. It’s not AMERICA FUCK YEAH, so woke.

“Aka Charlie Sheen”: “Actor Charlie Sheen tells his story in this candid two-part documentary tracing his dazzling Hollywood rise, tabloid-topping fall and road to recovery.” White man talks about himself = MAGA secure house.

So the ultimate scorecard: Out of 10, now we have one white villain (with a minimum of 4 white protagonists), two Black heroes, zero homosexual “voice of reason,” a Ok-pop woman band with balls and one useless lady who actually cuts them off, zero mothers as breadwinners (however a minimum of 4 damsels in misery), zero fool dads, and no sexualized youngsters.

Both Netflix is slacking on its “transgender woke agenda,” or MAGA world is simply hysterical over nothing.

Netflix is within the enterprise of creating wealth. With over 300 million international subscribers, it appears to be doing simply superb. And if the vastly profitable streaming service is certainly woke, it means the world is simply too.

Better of luck along with your little boycott, MAGA.

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